The American Dream

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Currently being analysed, dissected and put on display at the British Museum in their fantastic exhibition of post-war art, from pop art to minimalism to photo-realism, and from the AIDS epidemic to artists dealing with feminist and racial issues.

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There were a few nods to Liechtenstein, Warhol and Wayne Thiebaud, but a lot of this art will be new to UK viewers, and that’s great too.

All photos my own.

Blog of the week

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I was searching for something else which will feature on the blog soon when I came across the blog Ornamental Passions, dedicated to noticing all those small details on buildings’ windowframes and doormantels, carved plaques and now-baffling statues that London teems with. To my delight, one of the first posts I read shed light on this statue that I often pass in Lincolns Inn Fields.

Paolozzi

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I feel I ought to go and see this Eduardo Paolozzi show at the Whitechapel Gallery – it would be like eating a bright bowl of kale (not as bad as you fear, and surprisingly energising) – and I do really want to know more about the artist whose Tottenham Court Road mosaics I’m getting increasingly fond of. But…

It’s the last weekend and I haven’t got there yet, which tells you a lot, especially as I’ve been seeing lots of art recently, like this and this. Something tells me I’m not getting there.

 

Watercolours

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A few weeks ago, I went to a fantastic free exhibition at The British Museum taken from their prints and drawings collection. It covers 150 years from Cotman and Turner to Sutherland and Rothenstein and all styles from nature studies and travel art to war studies.

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The real delight was seeing artists I’d never discovered before. From top to bottom: Joseph Brett / John Singer Sargent / Hercules Brabazon Brabazon (best name ever?!) / CW Nevison / Edward Wandsworth / Michael Rothenstein / Anna Airy / Joseph Pennell / James McBey / Elizabeth Forbes

Sunny rebellion

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The Sussex Modernism exhibition at 2 Temple Place has just closed, and although the (rather gorgeous) mock-Jacobean setting was exactly what this generation rebelled against, the works themselves remained defiantly sunny.