Hooray for a chance to eat haggis and cut a caper at a ceilidh!
If all tartan dresses could be like this I’d wear them more often.
Also, whilst following Kate Strasdin’s Instagram feed this year I’ve noticed that the outfits that appeal the most are those with colour and pattern (sure), but where the shapes might be quite simple and the detail is in the tailoring and use of a single fabric cut against itself to form a pattern.
Liking this range from Hades wool, which reminds me a lot of Tessa Perlow’s work.
This air stewardess outfit (!) is from the Instagram feed of the Goldstein museum, and what really cracks me up is that my primary school uniform was basically a maroon and olive green version of this. I hated it (the winter style was very Dr Spock, to be fair), but now I love it!
Fascinated by this video collection called The Sari Series, which shows you how saris are worn differently across the subcontinent. The aim is to remind younger women how versatile the garment is, how they can mound it to their own style and how it doesn’t have to be relegated to occasion wear.
You can search by region, and again there are several styles that are standard here, with some styles that cross state. “borders”.
For anyone who’s followed Instagram feeds and wondered what the different style names refer to, this is your guide.
By Callot Souers, during the First World War. Plenty room for eating roast potatoes and still looking stylish.
Liking this Ashish collaboration with River Island.
Talking of pockets – this time I mean pockets and not votes/social justice – I think this piece by Sali Hughes is brilliantly spot on. “Eating dresses” – “neat at the shoulders, sleeves and neck and shoulders, but with enough fabric around the middle to invisibly conceal a bottle of red and more than 19 calories” are a genius description for what I’ve mooched up and down shop aisles looking for, ditto Sali’s call for the kind of occasion wear that is basically whatever you need in the day but will look good with red lipstick and a funkier pair of shoes than what you’ve worn at the office.
Finally, check out Sali’s list of dresses every middle-class woman of 35 and over wants. It’s probably the only time that a capsule wardrobe has made sense and is exactly what the fashion industry ought to lobby retail for.
Photos: Oliver Bonas shift dress snapped by me – would be a good weekend dress though ideally more colour please, and possibly even pattern. Libby London dress from their website – a good 15 hour dress, but not really enough waist room for an eating dress & pretty pricey. Their shirt dresses are good though, if you suit that style.
When I was 15, a friend’s mother kindly introduced me to a curator at the V&A’s fashion department, where I spent a week’s work experience. The exhibition they were putting on at the time and I remember listening with bafflement to tales of Martin Margiela, unsure why I was meant to admire a man for putting mould on tweed suits and deliberately making “ugly” clothes. I liked McQueen and Galliano, but avoided searching out Margiela any further.
I was surprised therefore to see that the show at Antwerp’s MoMu (fashion museum) was titled Margiela: The Hermes Years. What would this designer have to do with a rather stuffy fashion house best known for its scarves and handbags? I couldn’t imagine it, but the show was a revelation.
Simply displayed against plain white or Hermes-orange walls, the clothes were ultra-luxe, genuinely timeless in emphasising quality over passing whims, and yet not boring.
There were defiant surrealist touches – a dress made out of fake engagement rings, a pair of stockings for a coat belt, a string of plastic jewels “staining” a dress with light or blood – but mostly just superb plays of texture against each other and immaculate cutting.
It’ll never be my budget, and Margiela’s colour palette wouldn’t suit me anyway, but you see totally why these clothes were #lifegoals for his audience.
all photos August 2017.
Inexplicable wish to buy this jumper and run around in it all holiday with a pair of short forest green shorts. Totally impractical as if it’s hot enough for me to wear shorts there’s no way I’ll be in a jumper, so can only guess that childhood self-indoctrination along the Swallows and Amazons / Enid Blyton lines is emerging again in this city girl. #timeforaholiday
If you’re new to stumbling across these posts (welcome!), you may not know of my longing to be a shirt woman.
This was re-ignited by seeing Ann + Elizabeth on Friday; they are definitely shirt women.
Luckily here comes Maison Lebiche to the rescue, with their delicate embroidery as secret code on sweatshirts and collars. Images from the MB Instagram account.