The Mrs Miniver columns – a series of gentle musings on a new notebook or whether to buy a bunch of chrysanthemums – were hugely popular in the late 1930s, even though, as the author’s granddaughter has now detailed they were also a definite wish fulfilment exercise for the writer that also camouflaged her far more complicated, not quite as glamorous, life.
Reading a recent article, the house tone at Vogue doesn’t seem to have changed much since then; there’s still a local celebrity to be “thrilled” about, a little dialogue about all the visitors and their dogs who are renovating a house, and a dependable, cheerful husband who is straight man to all the endless whimsy:
“I opened a box sash window above the front door and said good morning. It’s a habit I have developed since living here, which makes me think of people behind battlements with vats of oil…
My husband Andrew came down the stairs to open the knock. “Please stop popping out at people from that window. It’s eccentric, bordering on impolite.”
Pieces like this are a guilty pleasure to read, because it’s so twee and safe it’s as soothing as a bowl of mush, but I can also rather unfairly have a good time rolling my eyes at the Marie Antoinette smugness of it. Or how about:
“there’s a mustard-hot rumour that Ptolemy Dean, the architect in residence at Westminster Abbey, will be in charge of the renovation. Andrew and I discover that we were just as thrilled by this as everyone else. I joined the residents association.”
In fairness, it’s very hard to write columns based on your life (Nora Ephron in Heartburn talks about feeling like she’s living with a cannibal with her second husband who is always making their life into 850 words, syndicated.) and also to get the right balance and style so that your readers feel that nothing’s changed since 1933 and a silk dress will sort all ills, but I can’t really read too much before wanting to scream at the smugness of it all.
Much better stick with The Real Mrs Miniver and read all about the real character’s scandalous second life in wartime America.