Jacqueline Ayer

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The House of Illustration is very good at making me see artists I hadn’t heard of before (e.g. Linda Kitson), but who are very accomplished and had fascinating lives.

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Jacqueline Ayer’s parents had moved from Jamaica to New York in the 1920s and Jacqueline grew up helping her father’s ad agency, the first aimed at African Americans.

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Her observation for fabric and costume fed into her children’s’ illustrations when she moved to Bangkok in 1959, and after coming back to America in 1963 she founded a Thai textile line. I wish there’d been more room for her work with the Indisn government, her autobiography, and what was clearly a fascinating life, but I’d still recommend this to anybody.

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Grand ambitions

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There’s something magnificently crazy about writing a book on accordion playing round the world (useless fact – Haile Selassie had an imperial accordion troupe), but what great illustrations to fit the joie de vivre of such a project.

Feathered friends

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Quentin Blake’s delightful series of extremely human birds. This could be creepy, but it’s absolutely not, mainly because underneath the wicked humour is a fundamental kindness and interest in people. On display at the House of Illustration in London.

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Pretties

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In fact, twice in one day because I  can’t resist: a scrapbook of Instagram pretties: Schiaparelli dresses from @the_corsetedbeauty;

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an Evelyn Dunbar sketch from @designfortoday;

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an elegant doodle from @garancedore;

 

marmalade jars and the delightful National Trust home of Standen from phil._.b;

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dogs on the beach from @thewomensroomblog

Tiger women

In the middle of heat rage a few weeks ago, I saw this fierce woman, captured in a 1930s photo by Fubing Chang.

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Instantly I thought of her waving a battle banner, and @jennifershortotextiles showed me both the flag and how this girl might appear nowadays.

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Finally, her palace: on sale in the Atlas Mountains via Christie’s,

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where she sits waiting for lunch in the heat (@thebreadcompanion)

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Sweeping

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Beautiful animation in Studio Ghibli’s The Red Turtle, which reminded me how much I want to see the House of Illustration’s anime exhibition. A film without a spoken soundtrack but rich in sound and visual exploration, it follows a man cast ashore on a deserted island, his acceptance that he cannot escape and the happy life he builds for himself.