Foreign Returned is a term used to describe Indian expats who’ve returned to India. Artist Meera Sethi created a series of portraits drawing on Mughal miniatures and their iconography to portray some of the foreign Returned – each one holding a visual clue about the multiple identies they spanned.
Moat interesting of all to me was that Meera chose to record these portraits using both the subjects’ legal names (“good names”) and their anglicised abbreviations.
from top to bottom, Sudhar/Sue; Parminder/Paul; K Swaminatham/Sam; Mariam/Mary. All images via MeeraSethi.com where Meera’s newer projects are also on show and can be bought for very good prices – the Auntie series is going to be a particular hit, I imagine. Meera is also on Instagram @meerasethi
Miss Maidie and Elsie Scott. Painted in the First World War when the sisters befriended Wilfred Owen, this portrait is so redolent of the Edwardian Era.
For the first time I’m in two minds about Remembrance Day. Events in America and across Europe show the importance of not forgetting history, and with this year as the 100th anniversary of the end of World War One and next year as the 80th anniversary of the start of World War Two, the next two years are important ones to recall. But my fear is that we’re more comfortable as a society in focusing on a carefully-glossed version of the past than in looking at more recent, veterans and social conflicts.
Resilience cards from The School of Life, for anyone having a stretching autumn.
This could easily be yet-another half-written survey of nazi Germany intended to cash in on our society’s fascination with this period, but it’s actually a well-researched, gripping and often unexpected survey of the times. The opening chapters reflecting on the poverty and hunger of early 20s Germany and the starvation that led many church groups to offer aid are particularly interesting as they often get passed over in a few sentences in history books, but the analysis of the reasons why so many visitors kept their heads in the sand is also far more subtle than the usual they-hoped-to-avoid-war explanations. Highly recommended and a very easy read: I tore through it in a day.
Intrigued by the newest commissions in the National Portrait Gallery. Part of me loves the bold stars and colourfulness of this portrait of Laura Mvula; part of me is a little bored by the imitation of an early Lucien Freud or a Stanley Spencer piece, whilst also thinking that this 50s/60s vine is very on trend right now and therefore still representative of the late 2010s.
The Lifestyle Edit Podcast (not to be confused with another podcast that is just called “The lifestyle edit” and had two women – Rosie and Flo – talking about life in a robustly jolly, Claire Baldwin-ish manner) by Naomi Mdudu is a regular listen & one guaranteed to leave you feeling fired up in the best possible way after listening.
Each week, Naomi interviews a female business owner about how they found their business idea, what made them go solo on it, how they’ve built their business and what tips they’d share with their entrepreneurs. It’s as far away from The Apprentice and macho, ghostwritten memoirs as you can imagine.
Instead you’ll come away with gems that help you decide when to take views and when to have confidence to do it your way; how to think about the financials behind your business (not all will apply, but it’s the fact that there are different models that make these interviews useful to me) and tips to help you identify the best opportunities for you. Some I loved recently were:
– The interview with Anna Hart (*so impressive*)
– the concept of looking for flexibility that is inherent and that which is on offer as an option
– the point that flexible working needs apply just as much to non-parents looking after ageing baby boomers as it does to parents
– the question “what would the village idiot say your brand is?”
– the idea that a recurring client doesn’t just help financially, but also with defining what your business is and does
So many gems here – go and listen to it. Naomi is a fantastic interviewer too, which I think really drives the quality of these sessions.
Ravening through the persistent bric-a-brac
Of blunt pencils, rose-sprigged coffee cup
Postage stamps, stacked books’ clammed and yawp,
Neighbourhood cockerel – all nature’s prodigal backtalk,
The vaulting mind
Snubs impromptu spiels of wind
And wrestles to impose
Its own order on what is…
“On the difficulty of conjuring up a Dryad”, Sylvia Plath
Where did you think this scene was set? Initially I thought it must be a desk in Islington, overlooking one of the squares, and then I thought of the mid western prairies…
This is actually Titian’s Supper at Emmaus, a far too early time in the year to be showing it (this occurs after Jesus has been dead for a while as he reappears to console his disciples), but I’ve never really liked the Last Supper scenes that would be appropriate for Good Friday, so here we are instead.